No 58
Made by: Colin Parkinson and Graeme Mackay
Using: Pohutukawa and pyrography
100 high
3-footed Bowl
Made by: Dick Veitch and Mark von Dadelszen
Using: Unknown wood, painted
220 dia
Fandangle
Made by: Neil Joynt and Andrew Bright
Using: Pohutukawa with turquoise inlay
110 dia
Pohutukawa
Made by: Heather Vivian, Jill Mabey, and Ross Vivian
Using: Pohutukawa painted and pierced
100 dia
“Rossco” Sailing Away
Made by: Ross Vivian and Karen Waterson
Using: Driftwood and an old jawbone painted
720 long
Beach Off-cuts
Made by: Geoff Addison and Leith Gray
Using: Red beech driftwood offcut
210 wide
Dancing Fire and Flames
Made by: Colin Parkinson, Roger Mabey, and Jill Mabey
Using: Pepper with pyrography
300 dia
Owl Bro
Made by: Andrew Bright and Jill Mabey
Using: Black maire and paint
100 high
Kingey
Made by: Ross Vivian and Mark Bayliss
Using: Bamboo and etched glass
390 wide
The Chalis
Made by: Christine Day and Warwick Day
Using: Red beech driftwood and copper wire
150 high
Rimu and Jarrah Box
Made by: Troy Grimwood and Jill Mabey
Using: Rimu and jarrah with painted leaves inside
80 dia
Ancient Forest
Made by: Brian Barton and Ian Culver
Using: Rimu with copper inlay
220 dia
Bowl of Two Halves
Made by: Dick Veitch, Mark von Dadelszen, and Brian Barton
Using: Taraire and rimu
120 high
Captive Ring Deer Dangles
Made by: Leith Gray, Mary Culver, and Christine Day
Using: Deer button and silver
30 long
Deer Button Box
Made by: Leith Gray and Cindy Drozda
Using: Deer antle button and black maire
80 high
Reclaimed Treasure
Made by: Christine Day and Warwick Day
Using: Totara driftwood with copper and silver
75 high
Bamie
Made by: Ross Vivian and Mary Culver
Using: Bamboo
220 long
Box
Made by: Dick Veitch and Mark von Dadelszen
Using: Unknown wood with pyrography
50 high
Bowl (Green Turned)
Made by: Dick Veitch and Mark von Dadelszen
Using: Pohutukawa
300 wide
Blue Vase
Made by: Dick Veitch, Mark von Dadelszen, and Brent Salisbury
Using: Olive (ex Cornwall Park, Auckland) with paints
210 high
Untitled
Made by: Christine Day and Cindy Drozda
Using: Deer button, silver and copper
45 high
Holey Duck
Made by: Dick Veitch, Ross Vivian, and Heather Vivian
Using: Pohutukawa with texture and pyrography
340 high
Breakfast
Made by: Dick Veitch, Heather Vivian, and Marg Pritchard
Using: Puriri plate, swamp matai egg cup, kauri egg, rimu opened egg with painted yolk, red beech pepper, and plane salt
180 dia
Kowhai Glow
Made by: Brian Barton and Leith Gray
Using: Kowhai
60 high
An Apricot of a Piece
Made by: Geoff Addison and Leith Gray
Using: Apricot with pewter
120 dia
Gilded-Heart Bowl
Made by: Leith Gray and Jill Mabey
Using: Swamp silver pine (Known as manoao), paint and guilders wax
140 dia
Crackers
Made by: Andrew Bright and Roger Mabey
Using: Pepper with a corian tie
340 dia
Air CollabAir Collab
Made by: Ross Vivian, Heather Vivian, and Karen Waterson
Using: Fallow deer antler with plastic fan and steel stand (to be attached)
650 wingspan
Blasted Pewter
Made by: Geoff Addison and Dick Veitch
Using: Olive and pewter
250 long
Box
Made by: Tony Waterson and Heather Vivian
Using: Elm, textured
130 high
Rainbow Box
Made by: Tony Waterson and Warwick Day
Using: Unknown wood with resin lid
100 high
Kokeshi 2
Made by: Jill Mabey and Colin Parkinson
Using: Matai painted
100 high
Kokeshi 1
Made by: Jill Mabey and Colin Parkinson
Using: Sycamore painted
90 high
Toredo Duck
Made by: Mark von Dadelszen and Brent Salisbury
Using: Driftwood, dyed, scorched, and painted
400 long
Bowl
Made by: Tony Waterson and Gordon Pritchard
Using: Elm
200 dia
A Groovy Spotty
Made by: Geoff Addison and Neil Joynt
Using: Black walnut with pewter and turquoise
287 dia
Bone of Contention
Made by: Andrew Bright, Cindy Drozda, and Leith Gray
Using: Pohutukawa, puriri, and ash with an antler finial
130 high
That’s a Wonderful Question
Made by: Jill Mabey, Geoff Addison, and Leith Gray
Using: Swamp silver pine and apricot with texturing and paint
120 high
A Rippling Good Yarn
Made by: Geoff Addison and Dick Veitch
Using: Tasmainian oak with pewter
190 dia
Rose Pendant
Made by: Dick Veitch and Jill Mabey
Using: Pohutukawa, resin, and painted flowers
40 dia
Pohutukawa Pendant
Made by: Dick Veitch and Jill Mabey
Using: Kauri, resin, and painted flowers
40 dia
Copper Beech Bowl
Made by: Heather Vivian and Mark Bayliss
Using: Copper beech and copper powder
150 dia
Colonial Commissionaire
Made by: Dick Veitch and Heather Vivian
Using: Kauri with pyrography
75 high
Small Box
Made by: Nick Crozier and David Marshall
Using: Kahikatea and Red Beech
100 high
Pepper Bowl
Made by: Brent Salisbury and Logan van der Meer
Using: Pepper
250 dia
Puriri Bowl
Made by: Brent Salisbury, Logan van der Meer, and Dick Veitch
Using: Puriri with pyrography
190 dia
Little Copper
Made by: Cindy Drozda and Graeme Mackay
Using: Pohutukawa and jarrah burl with copper inlay
35 high
Dragonfly
Made by: Christine Day and Marg Pritchard
Using: Cutlery and copper
160 long
A Little Spider Spoonful
Made by: Christine Day and Marg Pritchard
Using: Silver spoon and charm
Bag 80 wide
A Little Teapot Spoonful
Made by: Christine Day and Marg Pritchard
Using: Silver spoon and charm
Bag 80 wide
A Little Flower Spoonful
Made by: Christine Day and Marg Pritchard
Using: Silver spoon and charm
Bag 80 wide
Small Bowl
Made by: Mark von Dadelszen and Brian Barton
Using: Red Beech
100 dia
Opalescent Pendant
Made by: Dick Veitch and Warwick Day
Using: Rimu and coloured resin
40 dia
Ancient Kauri with Turquiose Halo
Made by: Leith Gray and Neil Joynt
Using: Swamp Kauri and Turquoise
125 dia
Circles
Made by: Ian Culver and Tony Waterson
Using: Driftwood and aluminium powder
200 wide
Squared Off
Made by: Tony Waterson and Ian Culver
Using: Banksia
160 wide
Tui’s Perch
Made by: Gordon Pritchard, Leith Gray, Wal Drayton, Tony Waterson, Karen Waterson, Mary Culver, Marg Pritchard, and Jill Mabey
Using: Pine with paint
360 high
Leith’s Leftovers
Made by: Leith Gray and Geoff Addison
Using: Kauri
105 dia
Swamp Kauri Earthquake Indicator
Made by: Leith Gray and Brian Barton
Using: Swamp Kauri and gilders wax
125 dia
Bits & Bob
Made by: Andrew Bright, Jill Mabey, and Dick Veitch
Using: Driftwood, kauri, corian, teaspoon handles, and paint
200 long
Hell for Leather
Made by: Troy Grimwood, Colin Parkinson, and Jill Mabey
Using: Scrap wood, copper tube, computer parts, and leather
840 long
Chinaberry Bowl
Made by: Dick Veitch and Mark von Dadelszen
Using: Chinaberry
350 long
Curly Leaf
Made by: Lance Atkins, Jill Mabey, and Christine Day
Using: Pepper burr, copper, and a skeleton leaf
50 long
Curly Leaf
Made by: Lance Atkins, Jill Mabey, and Christine Day
Using: Pepper burr, copper, and a skeleton leaf
50 long
Curly Leaf
Made by: Lance Atkins, Jill Mabey, and Christine Day
Using: Pepper burr, silver, and a skeleton leaf
50 long
Bay Deco
Made by: Jill Mabey and Graeme Mackay
Using: Kahikatea, pewter, and paint
85 high
Ripples
Made by: Brian Barton and Ian Culver
Using: Driftwood
250 long
Upward Reach
Made by: Heather Vivian, Cindy Drozda, and Neil Joynt
Using: Camellia, laburnum, and rata
150 high
Stork Pendant
Made by: Dick Veitch, Jill Mabey, and Roger Mabey
Using: Kauri carved and painted
40 dia
The New Bees
Made by: Logan van der Meer, Lance Atkins, and Wal Drayton
Using: Red beech
290 long
Summer Days
Made by: Mark von Dadelszen and Mary Culver
Using: Construction ply, dyes and paints
225 dia
All the Mod Cons
Made by: Brent Salisbury and Troy Grimwood
Using: Pepper, kauri, plane, pebbles, and pyrography
220 high
Fantail in Bowl
Made by: Tony Waterson, Brian Barton, and Karen Waterson
Using: Unknown wood painted
170 dia
Muffet’s Seat
Made by: Brent Salisbury, Wal Drayton, Logan van der Meer, and Jill Mabey
Using: Pohutukawa and plane with pyrography and paint
390 high
Gear Box
Made by: Cindy Drozda and Lance Atkins
Using: Plane with gears in resin
75 high
Turned to Use
Made by: Ian Culver and Graeme Mackay
Using: Red beech driftwood
200 long
Immigrants
Made by: Logan van der Meer, Roger Mabey, Jill Mabey, and Wal Drayton
Using: Ash, plane, rimu, pepper, and driftwood with copper wire
300 high
Whoopsy Doopsy
Made by: Brian Barton, Warwick Day, and Geoff Addison
Using: Cherry/pepper textured and painted
175 dia
Mountain Daisies
Made by: Dick Veitch, Gordon Pritchard, and Karen Waterson
Using: Taraire and paint
190 long
Blue One
Made by: Graeme Mackay and Jill Mabey
Using: Rimu with pewter, milk paint and gilders wax
180 long
The Flock Family
Made by: Andrew Bright and Roger Mabey
Using: Rimu, black maire, ash, pohutukawa, puriri, purpleheart, and swamp rata. Ink eyes
100 high
Lifted
Made by: Wal Drayton and Gordon Pritchard
Using: Black maire on copper
150 high
The Guardian
Made by: Neil Joynt and Mark Bayliss
Using: Totara and pohutukawa
1000 high
Squeaky
Made by: Colin Parkinson and Neil Joynt
Using: Unknown wood with pyrography
180 high
Laburnum Box
Made by: Wal Drayton
Using: Laburnum
90 high
Wild Life
Made by: Ross Vivian, Heather Vivian, and Karen Waterson
Using: Textured plane with etched mirror
500 wide
Wine Glass
Made by: Wal Drayton
Using: Laburnum
100 high
Ready to Finish
Made by: Dick Veitch and Graeme Mackay
Using: Elm with pyrography
200 dia
Canvas Getting Ready
Made by: Dick Veitch and Graeme Mackay
Using: Elm with paint
220 dia
Wren
Made by: Mark Bayliss and Jill Mabey
Using: Rewarewa with pyrography and paint
80 high
The Cove Bowl
Made by: Mark von Dadelszen and Mary Culver
Using: Almond and paint
250 dia
Inspiration
Made by: Gordon Pritchard, Marg Pritchard, and Tony Waterson
Using: Rimu, poplar burr, jarrah, and copper
590 high
Ebony and Ivory
Made by: Troy Grimwood and Cindy Drozda
Using: Plane and swamp rata
90 high
Walnut “Dick”
Made by: Ross Vivian and Mark Bayliss
Using: Driftwood, cherry, and walnut shells
450 high
Gifts to the Chefs
Made by: Neil Joynt, Colin Parkinson, Roger Mabey, Heather Vivian, and Brent Salisbury
Using: Various woods and sizes
Matai Box
Made by: Cindy Drozda and Mary Culver
Using: Matai
50 high