Hawkes Bay Turning Collaboration 2017
This invitational Turning Collaboration began at Fielding in 2006. Over the following four years in that town the style and content of the Collaboration grew and matured. In 2011 the Collaboration moved to Putaruru with new and different challenges. Now it is held at Napier Boys High in sunny Hawkes Bay, this year with 30 invited participants – not all woodturners – some painters, carvers, and a silversmith.
This year teams of three were given three challenges which are shown in the photos in this gallery.
Photos 1 to 9 are made from 100 year old rimu posts removed from the old cattle pavilion at Hawkes Bay Showgrounds in Hastings.
Photos 10 to 18 are items made from any wood but the finished work had to include some non-ferrous metal.
Photos 19 to 27 are items made to include wood gathered from the seashore.
The remaining photos are of items made collaboratively by two or more of the participants.
At the end of the five day collaborative gathering all these items were auctioned to provide funds for the next event.
This gallery contains all the completed pieces from the Collaboration held in Hawkes Bay in January 2017.
A total of 122 were produced.
Items in this section are made from 100 year old rimu posts removed from the old cattle pavilion at Hawkes Bay Showgrounds in Hastings.
The Old World
Made by: Wal Drayton, Andrew Bright, and Mark von Dadelszen
Using: Rimu, copper nails, paint, texture, and pyrography
440 high
Trumpet Voluntary
Made by: Jill Mabey, Nick Crozier, and Graeme Mackay
Using: Rimu with pyrography
450 wide
On a Cube
Made by: Ross Vivian, Tony Waterson, and Roger Mabey
Using: Rimu, laminated and textured
200 high
The Three Nuclear Frog FG Award
Made by: Lance Atkins, Brent Salisbury, and Cindy Drozda
Using: Rimu with paint and plastic frogs
440 high
1st, 2nd, 3rd
Made by: Mary Culver, Colin Parkinson, and Brian Barton
Using: Rimu, copper nails and paint
230 wide jump bases
Items in this section are made from any wood but the finished work had to include some non-ferrous metal.
Friendly Hollow
Made by: Gordon Pritchard, Graeme Mackay, and Wal Drayton
Using: Black maire with pewter and copper
150 high
Copper Load of This
Made by: Andrew Bright, Tony Waterson, and Jill Mabey
Using: Pohutukawa, rewarewa, and purple heart with copper
370 high
Datura Metallicus
Made by: Nick Crozier, Cindy Drozda, and Ross Vivian
Using: Black maire with brass, pewter, and copper
170 high
Incoming
Made by: Roger Mabey, Marg Pritchard, Lance Atkins, and Heather Vivian
Using: Macrocarpa with aluminium, copper wire and paint
970 wingspan
Mixed Media Art
Made by: Brent Salisbury, Brian Barton, and Logan van der Meer
Using: Wood with copper and metal parts
480 high
Pohutukawa Joins Non-Ferrous Metal in Civil Union
Made by: Ian Culver, Leith Gray, and Mary Culver
Using: Pohutukawa and copper
240 dia
In Suspension
Made by: Colin Parkinson, Geoff Addison, and Troy Grimwood
Using: Walnut, macrocarpa, pewter, and brass
200 high
Bathysphere
Made by: Warwick Day, Dick Veitch, and David Marshall
Using: Pohutukawa with pewter, aluminium, brass, and silver
160 dia
Items in this section are made to include wood gathered from the seashore.
Jonah Stole the Lighthouse
Made by: Dick Veitch, Wal Drayton, and Nick Crozier
Using: Driftwood and macrocarpa
570 long
From the Beech
Made by: Mark von Dadelszen, Jill Mabey, Roger Mabey, and Marg Pritchard
Using: Red beech burl and paua
Largest bowl 300 wide
Castaway
Made by: Tony Waterson, Lance Atkins, and Ian Culver
Using: Driftwood, rewarewa, pumice, and paint
325 high
Wrack
Made by: Cindy Drozda, Colin Parkinson, and Logan van der Meer
Using: Driftwood, macrocarpa and paint
520 long
Beachcombers Bag
Made by: Heather Vivian, Warwick Day, and Mary Culver
Using: Driftwood, recycled leather, flax, paua, rope, and paint
470 wide
Scene of a Rock Pool
Made by: Troy Grimwood, Neil Joynt, Brian Barton, and Karen Waterson
Using: Driftwood, pohutukawa, macrocarpa, paint, and wax
330 long
Fungaseaside
Made by: Leith Gray, David Marshall, and Gordon Pritchard
Using: Driftwood and various others with copper stems
490 long
The remaining photos are of items made collaboratively by two or more of the participants.
Pohutukawa
Made by: Heather Vivian, Jill Mabey, and Ross Vivian
Using: Pohutukawa painted and pierced
100 dia
“Rossco” Sailing Away
Made by: Ross Vivian and Karen Waterson
Using: Driftwood and an old jawbone painted
720 long
Dancing Fire and Flames
Made by: Colin Parkinson, Roger Mabey, and Jill Mabey
Using: Pepper with pyrography
300 dia
The Chalis
Made by: Christine Day and Warwick Day
Using: Red beech driftwood and copper wire
150 high
Rimu and Jarrah Box
Made by: Troy Grimwood and Jill Mabey
Using: Rimu and jarrah with painted leaves inside
80 dia
Bowl of Two Halves
Made by: Dick Veitch, Mark von Dadelszen, and Brian Barton
Using: Taraire and rimu
120 high
Captive Ring Deer Dangles
Made by: Leith Gray, Mary Culver, and Christine Day
Using: Deer button and silver
30 long
Deer Button Box
Made by: Leith Gray and Cindy Drozda
Using: Deer antle button and black maire
80 high
Reclaimed Treasure
Made by: Christine Day and Warwick Day
Using: Totara driftwood with copper and silver
75 high
Blue Vase
Made by: Dick Veitch, Mark von Dadelszen, and Brent Salisbury
Using: Olive (ex Cornwall Park, Auckland) with paints
210 high
Holey Duck
Made by: Dick Veitch, Ross Vivian, and Heather Vivian
Using: Pohutukawa with texture and pyrography
340 high
Breakfast
Made by: Dick Veitch, Heather Vivian, and Marg Pritchard
Using: Puriri plate, swamp matai egg cup, kauri egg, rimu opened egg with painted yolk, red beech pepper, and plane salt
180 dia
Gilded-Heart Bowl
Made by: Leith Gray and Jill Mabey
Using: Swamp silver pine (Known as manoao), paint and guilders wax
140 dia
Air CollabAir Collab
Made by: Ross Vivian, Heather Vivian, and Karen Waterson
Using: Fallow deer antler with plastic fan and steel stand (to be attached)
650 wingspan
Toredo Duck
Made by: Mark von Dadelszen and Brent Salisbury
Using: Driftwood, dyed, scorched, and painted
400 long
A Groovy Spotty
Made by: Geoff Addison and Neil Joynt
Using: Black walnut with pewter and turquoise
287 dia
Bone of Contention
Made by: Andrew Bright, Cindy Drozda, and Leith Gray
Using: Pohutukawa, puriri, and ash with an antler finial
130 high
That’s a Wonderful Question
Made by: Jill Mabey, Geoff Addison, and Leith Gray
Using: Swamp silver pine and apricot with texturing and paint
120 high
A Rippling Good Yarn
Made by: Geoff Addison and Dick Veitch
Using: Tasmainian oak with pewter
190 dia
Rose Pendant
Made by: Dick Veitch and Jill Mabey
Using: Pohutukawa, resin, and painted flowers
40 dia
Pohutukawa Pendant
Made by: Dick Veitch and Jill Mabey
Using: Kauri, resin, and painted flowers
40 dia
Copper Beech Bowl
Made by: Heather Vivian and Mark Bayliss
Using: Copper beech and copper powder
150 dia
Puriri Bowl
Made by: Brent Salisbury, Logan van der Meer, and Dick Veitch
Using: Puriri with pyrography
190 dia
Little Copper
Made by: Cindy Drozda and Graeme Mackay
Using: Pohutukawa and jarrah burl with copper inlay
35 high
A Little Spider Spoonful
Made by: Christine Day and Marg Pritchard
Using: Silver spoon and charm
Bag 80 wide
A Little Teapot Spoonful
Made by: Christine Day and Marg Pritchard
Using: Silver spoon and charm
Bag 80 wide
A Little Flower Spoonful
Made by: Christine Day and Marg Pritchard
Using: Silver spoon and charm
Bag 80 wide
Ancient Kauri with Turquiose Halo
Made by: Leith Gray and Neil Joynt
Using: Swamp Kauri and Turquoise
125 dia
Tui’s Perch
Made by: Gordon Pritchard, Leith Gray, Wal Drayton, Tony Waterson, Karen Waterson, Mary Culver, Marg Pritchard, and Jill Mabey
Using: Pine with paint
360 high
Swamp Kauri Earthquake Indicator
Made by: Leith Gray and Brian Barton
Using: Swamp Kauri and gilders wax
125 dia
Bits & Bob
Made by: Andrew Bright, Jill Mabey, and Dick Veitch
Using: Driftwood, kauri, corian, teaspoon handles, and paint
200 long
Hell for Leather
Made by: Troy Grimwood, Colin Parkinson, and Jill Mabey
Using: Scrap wood, copper tube, computer parts, and leather
840 long
Curly Leaf
Made by: Lance Atkins, Jill Mabey, and Christine Day
Using: Pepper burr, copper, and a skeleton leaf
50 long
Curly Leaf
Made by: Lance Atkins, Jill Mabey, and Christine Day
Using: Pepper burr, copper, and a skeleton leaf
50 long
Curly Leaf
Made by: Lance Atkins, Jill Mabey, and Christine Day
Using: Pepper burr, silver, and a skeleton leaf
50 long
Upward Reach
Made by: Heather Vivian, Cindy Drozda, and Neil Joynt
Using: Camellia, laburnum, and rata
150 high
Stork Pendant
Made by: Dick Veitch, Jill Mabey, and Roger Mabey
Using: Kauri carved and painted
40 dia
Summer Days
Made by: Mark von Dadelszen and Mary Culver
Using: Construction ply, dyes and paints
225 dia
All the Mod Cons
Made by: Brent Salisbury and Troy Grimwood
Using: Pepper, kauri, plane, pebbles, and pyrography
220 high
Fantail in Bowl
Made by: Tony Waterson, Brian Barton, and Karen Waterson
Using: Unknown wood painted
170 dia
Muffet’s Seat
Made by: Brent Salisbury, Wal Drayton, Logan van der Meer, and Jill Mabey
Using: Pohutukawa and plane with pyrography and paint
390 high
Immigrants
Made by: Logan van der Meer, Roger Mabey, Jill Mabey, and Wal Drayton
Using: Ash, plane, rimu, pepper, and driftwood with copper wire
300 high
Whoopsy Doopsy
Made by: Brian Barton, Warwick Day, and Geoff Addison
Using: Cherry/pepper textured and painted
175 dia
Mountain Daisies
Made by: Dick Veitch, Gordon Pritchard, and Karen Waterson
Using: Taraire and paint
190 long
Blue One
Made by: Graeme Mackay and Jill Mabey
Using: Rimu with pewter, milk paint and gilders wax
180 long
The Flock Family
Made by: Andrew Bright and Roger Mabey
Using: Rimu, black maire, ash, pohutukawa, puriri, purpleheart, and swamp rata. Ink eyes
100 high
Wild Life
Made by: Ross Vivian, Heather Vivian, and Karen Waterson
Using: Textured plane with etched mirror
500 wide
Inspiration
Made by: Gordon Pritchard, Marg Pritchard, and Tony Waterson
Using: Rimu, poplar burr, jarrah, and copper
590 high
Walnut “Dick”
Made by: Ross Vivian and Mark Bayliss
Using: Driftwood, cherry, and walnut shells
450 high
Gifts to the Chefs
Made by: Neil Joynt, Colin Parkinson, Roger Mabey, Heather Vivian, and Brent Salisbury
Using: Various woods and sizes