Hawkes Bay Turning Collaboration 2020

This year we shared the school with Morris Dancers from all over New Zealand. They had probably not heard of woodturning clubs either but they did invite us to their last evening with song and dance – enjoyed by all.       They also patronised our sale gallery to our mutual benefit.

This year 26 of us contributed to the production of 103 items – once again a quite different look to previous years – not much driftwood and some big pieces from the Peter Hewitt collection.

Roger and his committee set us three projects: From Mountains to Sea; a Wedding Gift; and Not more than 20% Metal.

Thanks to Roger and Hawkes Bay Club members for their setup work and cleaning up after us. After all that they have invited us to be there again next year.

Photographs by Dick Veitch

Cape Kidnappers

Made by: Ron Ashford, Ross Vivian and Mark Bayliss
Using: Macrocarpa with carved and pyrography birds
300 wide

Ahuriri Boulders

Made by: Mark von Dadelszen, Rex Haslip and Heather Vivian
Using: Red beech base (stained) with boulders of unknown woods
400 long

Refreshments for the Journey

Made by: Leith Gray, Lance Atkins and Dick Veitch
Using: Silky oak and a wine bottle cap
400 high

Down the River

Made by: Graeme Mackay, Roger Mabey and Neil Joynt
Using: Totara with carving, pyrography and paua
1000 long

Mountain to the Sea

Made by: Brent Salisbury, Mark Wilkins and Jill Mabey
Using: Red beech burl, a driftwood beach and scraps for trees with some water paint
360 long

Harp Pissed

Made by: Troy Grimwood, Colin Mitchell and Peter Johnston
Using: Two driftwoods and other woods with copper wire
600 high

Life Style Hawkes Bay

Made by: Wal Drayton, Geoff Addison and Brian Barton
Using: Matai, totara, fruit wood and red beech with twigs and cloves
620 long

The Eye of the Mountain – “Our World”

Made by: Logan van der Meer, Janice Williams and Annita Fritz
Using: Kwila and kauri, little bits of different woods and shells
190 wide

From Mountain to Sea

Made by: Nick Crozier, Colin Parkinson and Mark Bayliss
Using: Elm and found materials
400 long

Links that Bind Us

Made by: Ross Vivian, Rex Haslip and Mark von Dadelszen
Using: Red beech, number 8 wire and gold gilt paint
640 long

Cornucopia

Made by: Heather Vivian, Dick Veitch and Leith Gray
Using: Pohutukawa pierced
150 long

Hot Things

Made by: Lance Atkins, Neil Joynt and Graeme Mackay
Using: Matai
550 high

Retain the Memory

Made by: Brent Salisbury, Mark Wilkins and Roger Mabey
Using: Maire, kauri, walnut, glass and aluminium
300 high

Inseparable

Made by: Jill Mabey, Troy Grimwood and Peter Johnston
Using: Matai, sycamore and walnut with a gem
70 together

Silver Offer Rings

Made by: Colin Mitchell, Brian Barton and Wal Drayton
Using: Walnut, green swamp kauri and rimu with silver goblets and ivy
250 dia

Ring Box

Made by: Geoff Addison, Annita Fritz and Logan van der Meer
Using: Silky oak and purple heart
90 dia

We ‘Bowled’ Each Other Over

Made by: Janice Williams, Nick Crozier and Logan van der Meer
Using: Elm with feet and texture
320 dia

Bridge over Troubled Waters

Made by: Colin Parkinson, Mark Bayliss and Ron Ashford
Using: Acacia, macrocarpa, epoxy resin, flocking and sand
270 long

Club Me Copper

Made by: Mark Bayliss, Graeme Mackay and Heather Vivian
Using: Unknown wood with copper and pyrography
360 long

Rocket Man

Made by: Brent Salisbury, Rex Haslip and Lance Atkins
Using: Poplar with copper wire, silver and sugar paints
460 high

Our Label

Made by: Dick Veitch, Troy Grimwood, Roger Mabey and Annita Fritz
Using: Rimu with copper, screws and rivets
410 long

Viking Protection

Made by: Neil Joynt, Wal Drayton and Jill Mabey
Using: Elm, cherry, camellia, copper, dye and paint
750 to extremities

Caged Fruit

Made by: Mark Wilkins, Logan van der Meer and Colin Mitchell
Using: Matai and aluminium rods
320 dia

Trifector Box

Made by: Peter Johnston, Nick Crozier and Geoff Addison
Using: Box elder and pewter
170 high

Targa Shield

Made by: Brian Barton, Janice Williams and Ron Ashford
Using: Ash with copper, brass and aluminium, all stained
260 dia

Lidded Box

Made by: Annita Fritz, Mark von Dadelszen and Colin Parkinson
Using: Kauri and purpleheart with a pewter finial
170 high

Mobile

Made by: Brent Salisbury, Leith Gray and Ross Vivian
Using: Walnut base with aluminium and copper
890 high

Sea Urchin Box

Made by: Mark von Dadelszen, Troy Grimwood and Jill Mabey
Using: Cherry wood painted and waxed
70 dia

Claret Trio

Made by: Dick Veitch and Janice Williams
Using: Claret ash
270 high

Targa Shield #2

Made by: Ron Ashford and Janice Williams
Using: Deodar cedar, stained and bronze nails
170 dia

There but for the Love of God and the Borer Holding Hands

Made by: Dick Veitch and Geoff Addison
Using: Elm
180 dia

No 16 Failure No 1

Made by: Logan van der Meer and Geoff Addison
Using: Box elder
95 dia

Tub

Made by: Ross and Heather Vivian
Using: Redwood, carved and lacquered
570 dia

Split Up

Made by: Geoff Addison and Rex Haslip
Using: Rimu and kwila
130 dia

Unknown

Made by: Ross Vivian and Leith Gray
Using: Swamp kauri 232 A.D.
185 dia

Wow – Wow

Made by: Leith Gray and Ross Vivian
Using: Swamp silver pine 232 A.D.
200 dia

Upside or Down

Made by: Leith Gray and Ross Vivian
Using: Unknown wood
180 dia

Tall Poppy

Made by: Dick Veitch and Jill Mabey
Using: Unknown wood with a touch of gold
120 high

Sipper

Made by: Dick Veitch and Jill Mabey
Using: Olive with crackle paint
130 high

Towai Tokotoru

Made by: Dick Veitch and Heather Vivian
Using: Towai with pyrography
300 high

Yeah

Made by: Logan van der Meer, Brent Salisbury and Jill Mabey
Using: Chestnut, pine and copper wire with sugar cane paint
220 wide

Silver Fish

Made by: Ron Ashford and Leith Gray
Using: Painted black maire fish on a copper pipe in macrocarpa
200 high

Stick Thing

Made by: Graeme Mackay, Mark Bayliss and Heather Vivian
Using: Dunnage with pyrography and copper
360 long

Mac White-eye

Made by: Heather Vivian and Jill Mabey
Using: Macrocarpa with paint and pyrography
130 dia

Ripples and Feathers

Made by: Brian Barton, Colin Mitchell and Leith Gray
Using: Tasmanian blackwood Beale buffed
200 dia

Storm Coming

Made by: Brian Barton and Neil Joynt
Using: Magnolia Beale buffed
125 dia

Light and Dark

Made by: Brian Barton and Leith Gray
Using: Elm Beale buffed
190 dia

Three Rings

Made by: Heather and Ross Vivian
Using: Unknown wood with three brass powder rings
240 dia

Base Ball

Made by: Neil Joynt and Heather Vivian
Using: Burl wood on a purple heart stand
100 dia

Gold Pot

Made by: Ross Vivian, Wal Drayton and Leith Gray
Using: Pohutukawa and gold
120 dia

Dots

Made by: Ross Vivian, Wal Drayton and Leith Gray
Using: Mystery wood with carving and pyrography
180 dia

Holy Pot

Made by: Ross Vivian and Leith Gray
Using: Swamp tanekaha and gold dust
130 dia

Swampee Kauri

Made by: Ross Vivian, Leith Gray and Ron Ashford
Using: Swamp kauri with gold dust
200 dia

Rocker

Made by: Ross Vivian and Wal Drayton
Using: Unknown wood carved and dusted with silver
230 dia

Claret Heads

Made by: Dick Veitch and Peter Johnston
Using: Claret ash with pyrography and stain
280 high

Four Winters

Made by: Rex Haslip and Neil Joynt
Using: Cracked wood with Pacifica pyro design and hemp string
370 long

Blue Towers

Made by: Dick Veitch and Graeme Mackay
Using: Aspen from Colorado, pierced and dyed
290 high

Red Beech Pot

Made by: Mark von Dadelszen and Brian Barton
Using: Red beech and iridescent red paint
125 high

Yunnan Pot

Made by: Dick Veitch and Colin Mitchell
Using: Yunnan poplar stained and waxed
90 high

Holey

Made by: Logan van der Meer and Brent Salisbury
Using: Chestnut with red dye and sugar cane paint
90 high

Dick’s Forgotten Wet Turning

Made by: Dick Veitch, Geoff Addison and Jill Mabey
Using: Puriri with paint and lacquer
300 dia

Starglobe

Made by: Rex Haslip and Geoff Addison
Using: Camellia and pohutukawa with aluminium, copper and brass
75 dia

Garden Art Collab 2020

Made by: Rex Haslip and Geoff Addison
Using: Totara pile and copper strip
575 high

Cross Wired

Made by: Brent Salisbury and Logan van der Meer
Using: Walnut, sandblasted and copper wire
170 dia

Loose Cannon

Made by: Colin Parkinson and Troy Grimwood
Using: Matai and scraps with chopsticks, copper, iron paint and party poppers
160 long

Intergalactic Planetary

Made by: Rex Haslip, Colin Parkinson and Troy Grimwood
Using: Box alder and resin
90 dia

Gold at the Bottom of the Blue Sea

Made by: Ron Ashford and Geoff Addison
Using: Rimu, stains and interference paint
240 dia

Tongoio Fire #1

Made by: Ron Ashford and Geoff Addison
Using: Walnut with stain
185 dia

Tongoio Fire #2

Made by: Ron Ashford and Geoff Addison
Using: Walnut with stain
235 dia

Tongoio Fire #3

Made by: Mark von Dadelszen and Ron Ashford
Using: Tawa with stain
210 dia

Lattice

Made by: Leith Gray and Lance Atkins
Using: Swamp Kauri and turquoise powder
60 dia

Arc’s

Made by: Leith Gray and Lance Atkins
Using: Swamp Kauri and copper powder
60 dia

Dimples

Made by: Neil Joynt and Lance Atkins
Using: Walnut with turquoise, gilders paste and pyrography
90 square

Balancing

Made by: Heather Vivian and Leith Gray
Using: Macrocarpa
150 square

Found a Tadpole

Made by: Heather and Ross Vivian
Using: Spalted wood with pyrography
220 dia

Deadwood

Made by: Peter Johnston, Troy Grimwood and Wal Drayton
Using: Spalted pepper
170 dia

Off the Beach

Made by: Brent Salisbury, Annita Fritz and Jill Mabey
Using: Scroll-sawed and beach wood
330 high

Burl and Waves

Made by: Brian Barton and Dick Veitch
Using: Poplar burl
150 dia

Mobile No 2 Hidden Giraffe

Made by: Leith Gray and Lance Atkins
Using: Base is swamp kauri with cherry, pohutukawa, copper and saligna on aluminium and stainless steel rods
1200 high

Mirage

Made by: Brian Barton and Nick Crozier
Using: Unknown wood
235 dia

Dad

Made by: Ross Vivian, Heather Vivian, Leith Gray and Ron Ashford
Using: Mixed woods, stones, shells, danglers and paint
270 high

Duelling Bangles

Made by: Rex Haslip and Peter Johnston
Using: Ash and blackwood with pyrography and texture
90 dia

Amphora

Made by: Mark Wilkins and Leith Gray
Using: Walnut
290 high

On the Wing

Made by: Brent Salisbury, Jill Mabey and Annita Fritz
Using: Unknown wood, paint and a scroll-sawed bumblebee
330 high

Alan Carter – ish

Made by: Nick Crozier, Ron Ashford and Graeme Mackay
Using: Rimu with red stain
150 wide

Fishes

Made by: Jill Mabey and Ross Vivian
Using: Unknown woods, copper pipe and paint
280 high

Flower Power

Made by: Annita Fritz, Jill Mabey and Roger Mabey
Using: Totara house pile with aluminium, copper and paint
750 high

Whale of a Time

Made by: Mark Bayliss, Brent Salisbury and Leith Gray
Using: Rimu and Kauri
190 long

Finial on Hill

Made by: Graeme Mackay and Colin Mitchell
Using: Pepperwood, matai and rimu
185 dia

The African Queen

Made by: Rex Haslip, Geoff Addison and Graeme Mackay
Using: Swamp kauri and aluminium wire
220 high

Wobble

Made by: Logan van der Meer and Roger Mabey
Using: Walnut with texture
120 dia

Fitz Pod

Made by: Annita Fritz, Graeme Mackay and Jill Mabey
Using: Cherry with pyrography and paint
85 long

Waves on Rocks

Made by: Neil Joynt and Mark Bayliss
Using: Sycamore with pyrography and air hammer
110 high

Ran Out of Silver

Made by: Neil Joynt and Jill Mabey
Using: Camellia with silver paint
115 high

Simple Macro

Made by: Colin Mitchell and Graeme Mackay
Using: Macrocarpa
195 dia

Mixed Wood

Made by: Brian Barton and Nick Crozier
Using: Macrocarpa and pepper
120 high

Pohutukawa Natural Edge Bowl

Made by: Peter Johnston and Wal Drayton
Using: Pohutukawa and paua
200 wide

Lady Flutey Wutey

Made by: Nick Crozier and Geoff Addison
Using: Magnolia
180 dia

Munitions

Made by: Colin Parkinson and Troy Grimwood
Using: Macrocarpa, lead and rust paint
130 dia

Nut Plate

Made by: Janice Williams, Troy Grimwood and Colin Parkinson
Using: Walnut
230 dia

Spooned

Made by: Troy Grimwood, Mark Bayliss, Janice Williams and Chris Hooton
Using: Ash and a bit of leather
470 high

Last Chance

Made by: Peter Johnston and Neil Joynt
Using: Black maire
170 square